Detroit Masonic Temple
Zion Lodge Number 1 F. & A. M.
500 Temple at Cass Park near downtown Detroit
This huge building is a consequence of social changes that developed with
the emergence of an urban, white-collar, middle class in cities. It may also
be an example of the misinterpretation of a short-lived demographic trend.
As Detroit became an industrial city following the Civil War, more men held
administrative and managerial jobs in factories and offices. As this population
grew, the pool of men available to join fraternal organizations grew rapidly.
Fraternal organizations have a long history in the American colonies and the
United States, but urbanization and employment changes allowed them to flourish
about one hundred years ago. Many of these urban men did what we now call male
bonding by joining these organizations that provided camaraderie, entertainment
and, from time to time, performed social good works. The Masons were one of
the oldest and most prestigious of these organizations, but there were numerous
similar ones for men to join, many linked to religions. Today, we have time-use
studies monitoring how nationally representative samples of the population
actually spend their time. There were no time-use studies in the late Nineteenth
Century, but it appears that substantial numbers of middle-class men joined
these fraternal organizations and frequently participated in their activities
and
social events. Presumably, children were raised primarily by their unemployed
wives who spent most of their lives at home.
The Masons may be the only social organization in Detroit that can trace its
local origin back to that brief period between about 1770 and 1796, when the
British controlled the village and its fort. Their numbers in Detroit apparently
started to increase rapidly in the 1870s and 1880s. Until the 1890s, the various
Masonic chapters met in rental quarters. In 1892, a dozen or so Masonic groups
got together, decided to purchase property at the intersection of Lafayette
and First Street, and built a large temple. Architects George Mason and Zacharias
Rice were commission to design a building large enough to meets the needs of
the Masonic community for the next fifty years. The Masons occupied their new
home in 1896.
This was the time of rapid growth for Detroit’s Masons, and by 1908,
their Temple was far too crowded. Administrators purchased adjoining land and
asked
George Mason to design an addition, but after considering their options, they
decided that they could not expand their Temple enough to meet their pressing
needs since their membership was booming. By 1913, Detroit’ Masons were
considering a massive new Temple. The result is the impressive building you
see in the picture. They focused on their very rapid growth in the late 1890s
and early 1900s and opted to build a huge Masonic Temple, one that proved to
be sufficient for more than the next half-century.
The Masons purchased a spacious tract on Bragg Street at the intersection of
Second Avenue. This gave them the opportunity to construct a Temple that would
never seem crowded by neighboring buildings since it would face beautiful Cass
Park. The city later changed the name of Bragg to Temple Street. By 1920, the
city’s Masons had raised 2.5 million dollars for this structure. President
Washington was a mason and some of his personal tools were brought to Detroit
for a symbolic initiation of construction. In 1922, the cornerstone was laid
and, four years later, the edifice was completed. Containing 12 million cubic
feet of space, it is the largest Masonic Temple in the world.
Most fraternal buildings constructed in the United States up to this time used
Greek or Egyptian themes in their architectural style. Detroit’s Masons
continued to use George Mason as their architect. Hawkins Ferry, in his definitive
book, The Buildings of Detroit, claims that George Mason was given
considerable license to design a building of his choice so long as it was consistent
with
Masonic tradition. He argued that the Masons had their origins in the guilds
of Europe; indeed, many members of the Masons helped construct the great cathedrals
of northern Europe. Thus, George Mason selected Gothic to be the style of his
great structure.
Detroit’s Masons desired a building that would suit their needs for ritual
and for commoraderie. Thus, there are 28 units within the edifice grouped into
three major divisions: the ritualistic tower, the large auditorium that could
seat 5,000 and the Shrine Club. When completed, that auditorium had the second
largest stage in the United States. The building was designed so that as many
as 50 Masonic groups could meet simultaneously and carry out their rituals
and activities.
This building is dominated by the Ritualistic Tower that overlooks Cass Park.
The original plans called for an 800-seat auditorium at the top of that tower,
but funds have yet to become available for that purpose. Within the building,
there is a Scottish Rite Cathedral with seating for 1600—a cathedral
designed so that friends and relatives could watch the Scottish Rite degree
ceremonies. There is also a huge drill hall so that Masons could practice their
marching and other activities. Two ballrooms are in the structure. The larger—Fountain
Ballroom—was designed to seat 1,800 at banquets and for as many as
1,500 couples at dances. Large kitchens were included in the design with the
aim of making them able to serve 5,000 in a day.
From the exterior, you see a pleasing array of arches at a variety of levels.
But there is also a strong emphasis upon the vertical. In the morning sun,
when viewed through the green trees of Cass Park, you readily appreciate the
skills of George Mason. As Eric Hill and John Gallagher wrote in their AIADetroit
volume, it is “An eclectic array of architectural ornament somehow manages
to form a cohesive whole un George Mason’s mature hand.”
Detroit’s Masons misjudged growth trends when they constructed their
first large Temple in the 1890s. They could not have foreseen the Great Depression
that devastated Detroit from 1930 to 1940, but they greatly greatly misprojected
growth when they constructed this building. Participation in the Masons increased
rapidly around 190, but demographic and social changes occurred in the Twentieth
Century to greatly lessen membership in fraternal organizations. Spectator
sports became popular; first, baseball, then later, football, basketball, hockey
and auto racing. And then, middle- and upper-class men began participating
actively in competitive sports rather than spending their week-ends in lodge
meetings:
first, golf, then much later, running and bicycling. Importantly, there was
also a change in the organization of the marriages of middle- and upper-class
individuals. Norms gradually called for much more involvement of fathers in
child rearing and, with the near full-time employment of most wives, men found
it desirable and necessary to spend time with their familial obligations rather
than with fraternal organizations. Presumably, the nation’s many fraternal
groups will not disappear, but their memberships may continue to decline and
those that own attractive buildings with theaters suitable for music and the
theater may find them most frequently used for those purposes.
This is still an active Masonic Hall, but it is best known in Detroit for its
theater. I recall seeing a marvelous performance of the Metropolitan Opera
in the theater shortly after moving to Michigan in 1967. The huge stage of
that theater made it very suitable for opera. If you go to the webpage of this
building, you will find relative little information about Masons, but much
about the musical groups and theatrical events scheduled for this marvelous
building.
Architect: George D. Mason
Architectural Style: Neo Gothic
Architectural material: Indiana limestone
Artist and sculptor for the interior: Corrado Parducci.
Date of Completion: 1926
Web site for the Detroit Masonic Temple: http://themasonic.com/
Web page with historic information:http://themasonic.com/history.html
Use in 2007: This serves the as the Temple for the Masonic community of metropolitan
Detroit. The huge theater is an active venue for musical and theatrical presentation.
City of Detroit Local Historic District: Not listed
State of Michigan Registry of Historic Buildings: P 25067 Listed January 24,
1964
State of Michigan Historical Marker: Erected March 24, 1964
National Register of Historic Sites: Listed November 28, 1980